Eddie Wu Identifying 9 Joint Body

Below is a nice video of Eddie Wu outlining the 9 joints of the body and their various usages within taiji. I was exposed to the “9 joint harmony” under the teachings of Wai Lun Choi, and the identifications are the same.

Arm: Shoulder, elbow, wrist

Back: Neck, Mid-back, Sacrum

Leg: Hip, Knee, Ankle

What I really like about Eddie Wu’s explanation is noting the difference in movement between the waist and the hips (kua). What’s the deal with the 9-Joint harmony? Well, as a teaser, try to think about this when doing the form and it’s relation to the 6 harmonies (wrist – ankle, elbow – knee, hip – shoulder)…

Elbow In, Hand Out

The ten word dictum while doing positive circles:

Elbow in, no hand in

Hand out, no elbow out

Source: Chentaichi.org – Jibengong Positive Circle

I am currently working on the positive circle exercise in the Hong Junsheng Chen Taiji Practical Method as taught by Chen Zhonghua. The first movement of the exercise is “elbow in”, however when doing this, the elbow must go in, not the hand.

What’s the difference? For me, I found out that when I did the ‘elbow in’, the movement originated from my hand. In other words, the intention was first placed on my hand and then I thought about pulling the elbow in.  While minor, I feel the placement of intention can have strong consequences when trying to perform the application.

So, in the initial posture, I would have to constantly remind myself, “think about the elbow, think about the elbow, think about the elbow not the hand” Doh! I just thought about the hand! LOL .. ;) At first I felt a strong push back in my mind as I would naturally think about my hand, but over time, I felt the intention point slowly travel down to my elbow. For a while, I was stuck on the inner forearm because I was imagining someone trying to pull my arm as I pulled my elbow in. Eventually, the goal is to toss all that out the window and just think about the elbow. As the dictum states above, “elbow in, no hand in”.

After the elbow is brought in, I mean *really* in, at least to the point that the elbow touches the ribcage, the body turns via the up and down motions of the kua. For a right handed positive circle, the right kua goes down, the left kua goes up. One big distinction for me is the turn initiating by the kua, NOT the waist…

Finally, the hand goes out, but when doing this movement, remember the dictum, “hand out, no elbow out”. This means the hand leads the movement, think about the hand and not the elbow. 

Below is a clip that I am using for reference when practicing the positive and negative circles:

Real Gold Does Not Fear the Fire

 

Over the weekend, I received my copy of Real Gold Does Not Fear the Fire: the Teachings of Grandmaster Wai-lun Choi by Ray Hayward. So far, this is a great book and one I would highly recommend to any martial artist.  I really admire how Sifu Hayward has graciously shared his own personal training note with readers.

The more I read the book, the more I think about Master Wai Lun Choi is trying to teach us.  I have written about my studies with Choi in the past and one of the thing that stands out the most is his notion of not disrupting the breath.  Whatever we do, we must maintain the calmness of our breath.  Any disruption will lead to a break in energy.  In other words, if you are panting or out of breath, you are doing something wrong.

Choi is also a fan of imagery, especially in regards to animal instincts. He talks about not just mimicking the external movements of the animal, but try to understand the internal intentions of the animal. One of my favorite images is where Choi likens Yang Taiji to “that of a shark swimming, looking for his prey. Always on the move, gliding in and out”.  For me, this type of visualization conjures images of agile footwork, coiling body, and patience.

I could go on and on about the book, but I would recommend just picking it up as it contains a wealth of information from study notes to pictures to stories from students.  Here is a description from the product page:

This new book is about the life, teaching, and insights of Grandmaster Wai-lun Choi, the designated Grandmaster and lineage-holder of the Six Harmony Eight Methods style (Liu Ho Ba Fa). Featuring numerous articles, interviews, notes, photos, and history, you will be guided through the maze of martial arts, meditation, and Chinese history and culture to arrive at the door of mastery, embodied by Master Choi’s own story and accomplishments. This must-read book will be a valuable addition to the library of anyone interested in martial arts of any kind.

Shu kuang Press – Real Gold Does Not Fear the Fire: the Teachings of Grandmaster Wai-lun Choi by Ray Hayward

Trying to resolve no weight shifting

The Chen Zhonghua workshop is roughly 1 month away.  In preparation, I have mainly been doing positive circle training.  The Chen Taijiquan Practical Method positive circle is quite a bit different than the chen village silk reeling circles.  First off, there is no weight shifting in the Hong method, only turning. This is a really strange concept and one that I am still trying to resolve as the notion of weight shifting has been grinded into me since day 1 of my taiji exposure.

One of the first exercises in general taiji training is to practice ‘taiji walking’. This is basically walking up and down the room in bow stances. At a high level, this consists of shifting the weight from leg to leg while turning the body and stepping.  The emphasis on this exercise is placed on the weight shifting.

In the chen village silk reeling, the weight is shifted from leg to leg generally in 70-30 weight distributions in a side horse stance. However, in the Hong method, the weight is pretty much kept 50-50 or maybe 55-45, but there should be no evident weight shifting during the movement.  At first, this feels like the movement is just about moving the upper body, but in time and with practice, the coordination can be felt with the movements of the kua. That is, one kua moves up while the other kua moves down.  For a right handed positive circle, as the elbow moves in, the left kua goes up. As the hand goes out, the right kua goes up. During this whole motion, the weight does not shift forward nor backward. 

Mentally, this idea of no weight shifting, only turning, is going to be a huge hurdle for me to comprehend. I understand the goal is to be balanced and the most balanced position is weight equally distributed in both legs.  This is fine and dandy in a static posture, but what about when I want to move? Does my weight not shift to one leg or the other so I can take a step?  Hopefully all will be made clear with more practice.

For those interested, the workshop is near Milwaukee, Wisconsin and will take place March 13-15. For more details, check out the calendar entry.

Do you train when tipsy?

Do you engage in training when you’re a bit tipsy from alcohol? Yesterday, I shared a single bottle of beer with my wife while watching the super bowl. While this is not a lot, it was enough to make me a bit tipsy.  After the super bowl, I headed into my office with the intention of doing some meditation work, but when I closed my eyes, I started to sway a bit. Not a good idea, I thought to myself.

Not wanting to make all a lost, I decided to do some silk reeling exercises instead. I began doing some positive/negative circles from the Hong Practical Method as well as playing around with some single/double handed silk reeling from the Chen Xiaowang line.  I felt I was actually able to do these quite easily and the bit of alcohol didn’t really hamper my training.  I did not feel much swaying at all, most likely due to the fact that I kept my eyes opened the whole time.

On a side note, I have noticed my leg strength increasing as I was able to do the silk reeling sets without feeling much tension/pain in the legs. This is most likely due to the increase duration of standing meditation as well as more work on silk reeling. The Chen Zhonghua workshop is soon approaching and I think I have gotten the positive/negative circles at a somewhat decent level where I will not be a complete n00b.  I must thank one of my taiji buddies who trains in the method for the feedback and guidance!

So, what say you? Do you bust out the training when you’re a bit tipsy?